To be a killing

That's what I do, and when I ignored that statement I tend to get. But as bad as it seems, is not true. All of us in the UK to perform at the hotel murder mysteries.

This is a live, interactive exhibits and a full weekend for us or through the evening out to mingle with the guests! Naturally, intimate one on one type of performance without the risk as the audience can respond to a completely unexpected way, but many artists honestly say that they way to the actors in the murder mystery Know your audience may not.

Problem, of course, the guests can be loose cannons. Although it most often results in a very humorous incident that we can talk about again and again.

Plough and Harrow in Birmingham there was a famous incident. A middle-aged woman came to me and he obviously do not know what was going on. Had consumed alcohol for him or if he had done nothing to help. He asked me what the characters were and I explained. He asked me what had happened and I explained. I told her character, Trinny had returned from a trip to one of Europe is expected to marry Paul. Only the evening Paul was married. Trinny my character with the European trip had returned and I told the drunk guest Trinny Paul and all the way back from Italy about marriage as he spoke very little as was expected.

Woman took a very puzzled expression and looked me straight in the face and asked, "So, which is nothing special?"

Murder mysteries are great fun, but for an actor, to a completely different stage, television or film work discipline. The most important thing that an actor must - every time - stay in character. It's our golden rule, our prime directive, our mantra. Apart from that act must be in a different way. For example - let's guess that there will be a large display is visible.

Let's set the scene. You are playing a character named Mary (if you have a boy, just take the key points - you get the essence..) You just have your husband to another woman discovered a love letter. You are oppressed. You confront your spouse with this information. "It is true?" You rush over to him a love letter under his nose and waving to screaming "Who is he, how long is it going?" You broke down in tears, you plead, you, you moan and you cry out a fantastic performance that the audience reach for their tissues should change.

Except that you have it all wrong.

Oh, there was nothing wrong with acting: - actually it was very good, but the problem is that the audience still with murder mysteries, it is not up and face it you do not always is. We have performed as our key scenes.

Right - Take 2

You love with another woman watched her husband's letter. You are oppressed. With this information you want to confront your spouse. Make sure that your spouse is the other side of the room before shouting "John, John is it true?" You do not rush over to him, but his arguments should be held right in the room. The back yell at you and you can continue to be "who he is, how long is it going?" You broke down in tears, you plead, you, you moan and you cry out a fantastic performance that the audience will turn to reach their tissues.

Room to debate and negotiate the action of multiple effects is presented. It forces the actors to be louder. It attracts the attention of viewers across the room. This means you do not return for the vast majority of your guests. It easier for other actors to realize what is happening they can listen to your guests try to get on the table makes for.

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